The Muppet Christmas Carol

The Muppet Christmas Carol

A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present, and future.

The Muppet characters tell their version of the classic tale of an old and bitter miser's redemption on Christmas Eve. Ready to laugh, cry, sing, frolic, cavort and enjoy yourself beyond belief!? . You can read more in Google, Youtube, Wiki


The Muppet Christmas Carol torrent reviews

bloodywhitetrap (ag) wrote: this movie was pretty fun but the groundhog day thing has so been done to death but this movie I gotta give it for a nick made for tv movie pretty entertaining

Robert H (ca) wrote: Prior to watching this film, I was only nominally familiar with Alfred Kinsey and his life's work. Now, having seen it, KINSEY provides an interesting look at a man who devoted his life's work to probing the depths of human sexuality. Although Kinsey started his career as a zoologist who studied gall wasps, he later discovered that people provided just as interesting a field of study. The film, although it does cover some of his early life, is primarily focused on the landmark sex study that he began in the late 1940's. One thing that surprised me was just how funny the film was at times, but there just as many moments that struck an poignant emotional chord as well. And of course, Liam Neeson kills it as Alfred Kinsey. This is probably the best role I've ever seen him in. And Laura Linney does just as well playing his wife. Another great aspect of the film is the writing, which was tight, smart and had great attention to character. I also liked how it put America's hangups with sexuality right out front for all to see just how ridiculously prude we can be, just like Kinsey did with his study. It might be a little sad, but there is still a significant cross-section of Americans that remain set in their ways. Maybe someone should show them this film and see if they have a change of heart. Ultimately, though, the film is most effective as a biopic, and a thoroughly engrossing one at that. If you're looking for a biopic on a lesser-known subject, or want to see one of Liam Neeson's best (and probably least seen) performances, then KINSEY should do just fine.

Steve R (fr) wrote: Billy (Dr.Manhattan from Watchmen) Crudup plays a middle-class American who is persuing a career in politics in order to make the world a better place. His girlfriend's approach is to get directly involved in rescuing people from persecution. This film explores the dilema of trying to make the world a better place without losing your own chance at happiness. A minor jem where Jennifer Connelly shines as usual! A slow-paced and intelligent film which suggests flaws with all forms of politics.

Roger O (nl) wrote: En forsker er ute i felten for aa finne ut hvorfor en del smaakryp plutselig forsvinner fra naturen. Samtidig har Amy, en smaatvilsom dame, sokt tilflukt i familiens hytte - for aa unngaa en tvilsom ex-type. De ender opp sammen, og maa sloss mot diverse muterende Geckoer som lager kvalme.Det blir en del action med gummi-geckoer og biler som bryter sammen i vinterstormen og eksplosjoner og litt kvepping - men det tar aldri skikkelig av dette. Ikke all verden av spill eller effekter aa skrive hjem om heller. Har sett monstere mer livat selv i 50-talls-filmer. Litt liv paa slutten dog - men dette er fort glemt, dessverre. Kunne og burde vaert bedre.

Algitya P (au) wrote: Another brilliant Polanski's play's adapt. Weaver nailed it

Lisa R (ag) wrote: I want to give it 5 stars for Streep's hair and outfits alone, they were awesome, don't be surprised if I have that hair soon. Performances are all good, it's a bit of a who's who. Cher was great with her gay swagger. Pretty interesting story too.

Bill B (nl) wrote: Another selection from the Fernando Di Leo set, this one reminded me a bit of a Kurosawa film that involved a poor child being kidnapped in the place of a rich one, but this goes off into much darker vigilante justice than the Japanese film ever did.Good stuff, a very solid film and worth tracking down if you have the chance.

Julia L (ag) wrote: The Savages is a tough movie. It deals with unpleasant themes such as mediocrity, failed relationships and taking care of aging relatives who did not do a good job at parenting. The results are excellent, thanks to the outstanding cast and script.It starts on a sarcastic note, with dad Lenny Savage (a great Philip Bosco) behaving badly in sunny Arizona. Lenny is an unpleasant old man, spending his retirement in a senior-only community. When his female companion dies suddenly, we learn that they were not married and that the house belonged to her. The woman's children want Lenny out ASAP, so his two estranged children, Wendy and Jon (equally great Linney and Seymour Hoffman) must come and take him back to the East Coast, where they live.Also due to their difficult childhood - only hinted at - Wendy and Jon have issues of their own, such as being unable to have healthy, long terms relationships. Wendy is involved in a dispassionate affair with a married man and Jon cannot commit to his long-term Polish girlfriend who must leave the US before being deported. The siblings have a strained relationship of their own, fed on the frustration of having both literary ambitions, but holding mundane jobs.The movie develops their relationship nicely, as the only metaphorical ray of sunshine in an otherwise frosty and desolate landscape. Despite the abuse they suffered at the hands of Lenny and a mother who just "left", they try to do their best to care for their hostile, demented dad, who does not show a shred of gratitude. The movie has a sort of melancholic humour and even manages to end with a much needed uplifting note. Definitely top-class film-making for discerning audiences.

Witiy S (gb) wrote: I loved the movie, from the plot to the weird dark comedy. The "based on a true story" disclaimer just makes it all the more interesting, I cannot see why this has such bad ratings.

speacial k k (us) wrote: i love a good carry on hehe

Cameron H (it) wrote: When it comes to scare factor, zombies fare much worse than the quicker and more cunning werewolves, vampires, psychopaths, aliens, mutants. Director Danny Boyle and writer Alex Garland might have thought this, and found an inventive way to reinterpret the zombie disease: What if it were contagious, extremely bloodthirsty rage? This manifests through even a single drop of contaminated blood, infecting the host within thirty seconds and driving them into a maniacal frenzy. Unlike most zombie movies, other animals can be infected too. On concept alone, I am hooked, and you know, Boyle and Garland know how to jump-scare properly. Loud noises? Pfft. How about even the slightest disturbance of ambience / silence? This even affects entire scenes that avoid any intention of jump-scaring you, most notably when Jim (Cillian Murphy) wakes up from a 28-day coma in a completely empty hospital of a completely empty London, wandering the streets in hopes for an explanation. Boyle develops a very hopeless world for our characters.The storyline is simple enough: Our characters -- Jim, Selena (Naomie Harris), Frank (Brendan Gleeson), and his daughter Hannah (Megan Burns) -- look for a safe haven or a cure, and run into a different kind of trouble, in the form of a reformed army that needs women for starting a new society. Boyle's trademark frantic pace, best exemplified in Trainspotting, suits the horror aspect of the movie, and comes into play for the oddly effective revenge thriller of a third act. The reason it is effective is because of its context, a small group of characters whose hope is always budding, despite the increasingly hopeless world around them. Incidentally, the one character who loses sight of that is the one who literally loses sight for a moment and turns into a rage zombie. Very fun, very hip, very Danny Boyle.

Samuel M (nl) wrote: Como siempre, Monsieur Poirot, todo un placer.

Nigel G (us) wrote: simple script, plot & life lesson. it's not a comedy where you will roll in laughter but rather a light hearted drama with no big twists. there is also good real life capture of scenery around Downtown/Brooklyn which is much fresh and close to life than exaggerated NYC scenery in other movies.don't expect any complexity with this movie. it's just a simple humorous life lesson & that's simply it.