The Nun's Story (1959) torrents full movies

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The Nun's Story

After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.

The Nun's Story is a excited movies torrent of Robert Anderson (screenplay), Kathryn Hulme (book). The released year of this movie is 1959. You can check list actors in this movie torrents, such as Audrey Hepburn, Peter Finch, Edith Evans, Peggy Ashcroft, Dean Jagger, Mildred Dunnock, Beatrice Straight, Patricia Collinge, Rosalie Crutchley, Ruth White, Barbara O'Neil, Margaret Phillips, Patricia Bosworth, Colleen Dewhurst, Stephen Murray. There are many categories, such as Drama. Many people rated for this movie, Rate is 7.6 in www.imdb.com. This is really a good movie to watch. The runtime of this movie are awesome, about 127 minutes. Chich1Phat is funny uploader, he is very hard-working. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your opinion. Do you know what are visitors? Maria Ozawa is the best. I don't leave my iPad screen. Share this movies torrent to support us . You can read more in Google, Youtube, Wiki

. . Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, . In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr

The Nun's Story torrents

The Nun's Story full movie

The Nun's Story1959 torrent

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LinksNameQualitySeedersLeechersSize
Download   The nun's story (1959) Audrey Hepburn EngOther48481.39 GB
Download   The Nuns Story [Audrey Hepburn] (1959) DVDRip OldiesDVDRip39341.17 GB
Download   The Nun story 1959 (NLsubs) TBS B-SAMOther30424 GB

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Users reviews


Andrew T (gb)

The naivety of the characters as they grow older reflects China??s naivety to modern, popular culture, as their ?? and China??s ?? worlds push forward. Despite the long running time, the ending comes quite sudden, though works as a conclusion. The use of radio dialogue, State public announcements and long shots could be cut down to reduce the running time, though they all work as part of Jia??s realistic portrayal of Chinese working life. With such a long running time, covering several years, as the characters develop, the film can feel a little disjointed and gaps in time can lead the viewer wondering who is now who. The increasing popularity of, obviously, pop music, increased smoking, permed haircuts and abortions work as the markers of the group??s reforming, along with new opportunities to travel and loss of traditional family values. Beginning as a theatre group for Communist propaganda, Liberation, and eventual privatisation, sees the group transform into the superbly named All Stars Rock ??N?? Breakdance Electronic Band. A group of friends, members of the state-sponsored Peasant Culture Group, come to terms with cultural changes in 1980s rural China, in Jia Zhang-Ke??s Platform


Anna N (mx)

I generally avoid horror movies. Not interested


Biddles G (jp)

Great movie, but why leave us not knowing what happend to the uncle, it makes me so mad when movies end like that


Howard E (us)

Is that his message? Judging from the ending of this film, I would say yes. )It seems that the happy people in Baumbach's films are the ones who grow up and adapt. (He and Cornelia have only convinced themselves that they're not miserable. But in his determination to prove that he is right and everyone else is wrong, he makes himself and everyone around him miserable. All documentaries are subject to the viewpoint of the filmmakers. He wants to make an "authentic" documentary when there really is no such thing. In WHILE WE'RE YOUNG, Josh has likeable qualities but he is also a victim of his own ego. In FRANCES HA, Frances (Greta Gerwig) is likeable because she is resolutely cheerful after each of her stumbles but she, too, is her own worst enemy. We can't help but feel that if he would just get out of his own way, he might find happiness. In his earlier film, GREENBERG, Roger (also Ben Stiller) is a completely dislikeable, narcissistic complainer. To his credit, the director doesn't shy away from making his characters likeable the way Allen did. Baumbach's main characters all seem to suffer from an inability to come to terms with growing up, particularly while everyone around them is doing just that. )If Woody Allen is the king of capturing New York angst on film then Noah Baumbach is the crown prince. (That's not the film referred to earlier, by the way. We've entered the Twilight Zone. Though the film still tries to pull out a few laughs, it's too late. What starts out as a light comedy about a pair of Gen-Xers who try swimming upstream against the current of life suddenly morphs into something dark. This is where WHILE WE'RE YOUNG goes off the rails. . . Jamie seems poised for filmmaking greatness. As luck happens, and luck always seems to be on Jamie's side, the film quickly becomes much bigger than when it started out and Jamie enlists Cornelia, her father and Josh's own potential investor to help him finish it. Jamie has a very rough idea for a documentary about a childhood friend, and Josh offers to help him with it. Josh and Cornelia see themselves, or how they wished they could have been 20 years earlier, in the young couple and they start hanging out with them, much to the confusion and derision of their best friends. Way cool. Jamie is also a documentary filmmaker and Darby makes artisanal ice cream. The furniture in their loft is an eclectic assortment of other people's castoffs, they have a wall of vinyl record albums along with a vintage stereo system to play them, they eschew the subway system for their cheap bicycles and they refuse to be handcuffed by today's technology. These two are cooler than cool. At the same time, Josh and Cornelia meet a young couple, Jamie (Adam Driver, FRANCES HA; INSIDE LLEWYN DAVIS) and Darby (Amanda Seyfried, MAMMA MIA!), who are a pair of 25-year-old uber-hipsters from Brooklyn. As their best friends start gravitating towards other couples who, like all their friends, have young families, Josh and Cornelia, who never wanted to have children (or so they tell themselves and everyone else), find themselves increasingly unable to relate. Josh doesn't care much for Leslie but it's probably just a case of professional jealousy. Her father, Leslie (Charles Grodin), is a legendary documentary filmmaker. We do know, though, that she was involved in film production in the past. Judging from their nice home, Cornelia is clearly the major breadwinner here but we never find out what she does. To make ends meet, he lectures in filmmaking at a continuing education programme in the city. He's run out of grant money but that's not stopping him from adding more footage to what he has already shot. Josh is a documentary filmmaker who has been working on his latest film project for close to ten years. )Josh (Ben Stiller) and Cornelia (Naomi Watts) are 40-something New Yorkers whose lives are at a crossroads. That's how similar they are. (If I tell you the name of the film, I'll be revealing too much. When it's not, it borrows from a classic film from 1950. When it is, it's warm, witty and mildly funny. Well, it is and it's not. Watching the trailer to WHILE WE'RE YOUNG, you would think this is a film about getting old


Jeff A (ru)

D THAT'S SAYING SOMETHING!!! One of the worst thrillers in recent memory!. . . . Along with "Revolution", "Gigli", "Jack and Jill" and "Righteous Kill", Al Pacino's (who looks bored and disinterested throughout (and with this inept, bad and poorly-put together script along with Jon Avnet's lazy, sloppy direction, who can blame him!)) major career-worst


Jon H (ag)

Okay, with some really funny standup routines, but goddamnit Apatow, did it really need to be two and a half hours?!?


Marcus Y (fr)

This documentary grew on me after repeated viewings. Well crafted and enjoyable


Molly R (it)

I thought this was really fun


Robert D (ag)

I was so stunned I THOUGHT ABOUT IT FOR THE NEXT TWO WEEKS It had never ossured to me that you could take suck a starkly realistic SPARE story like this and turn it into AN ENDURING CLASSIC. Being a graduate of Hollywood baloney movies ALL MY LIFE. Saw this in 1949 at the PANTAGES theater in Hollywood


Stacey S (ca)

An Awesome Movie ! Afun Loving Comedy !