The Stranger Within a Woman (1966) torrents full movies


The Stranger Within a Woman

Two friends meet in a bar. Later that night, one friend's flirtatious wife is reportedly in an accident. The other friend doesn't feel well. What's come over him?

The Stranger Within a Woman is the best movies torrent of Edouard Atiyah (novel), Toshirô Ide. The released year of this movie is 1966. You can check list actors in this movies torrent, for example Keiju Kobayashi, Michiyo Aratama, Mitsuko Kusabue, Tatsuya Mihashi, Akiko Wakabayashi, Daisuke Katô, Toshio Kurosawa, Hisao Toake, Yû Fujiki, Chieko Nakakita, Hisaya Itô, Yasuzô Ogawa, Atsuko Ichinomiya, Haruo Suzuki, Chieko Seki. There are many categories, such as Drama. Many people rated for this movie, Rate is 7.5 in We have a good movies torrent. The runtime of this movie are awesome, about 102 minutes. FapDe is funny uploader, he is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your thought. Do you know what are users? ChimTo is the best. I can't fight my Galaxy screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

Catherine Russell. Neither his wife nor his friend can believe that he could have been involved. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako (Michiyo Aratama). Tashiro (Keiju Kobayashi) coincidentally meets his best friend Sugimoto (Tatsuya Mihashi) in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead

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Users reviews

Carlos G (au)

It's like traffic multiple lives cross paths and fit in this great film

Chris D (jp)

ssibly the most misaligned person in the film). . . Hitchcock shows, yet again, that psychopathy andd sociopathy are difficult to discern and can manifest themselves in the most unusual ways (see: head detective's wife. and infuriating. . . Very disturbing. S, and it really comes out in this film. There is a certain, dry humor to Great Britain that is not as potent in the U. it was fun to see a British film, after many American pictures by Hitchcock. . . Blaney and Rusk are absolutely horrifying. Hitchcock: the scenes with Mrs. Another great film from the remarkably twisted mind of Mr

Ed D (es)

With Romero's Diary of the Dead supposedly angering critics in the film festivals, I think it's time to name Danny Boyle the new master of the zombie genre. Danny Boyle has revealed he's returning to the director's seat for the third outing - with that knowledge I'm fully confident he can pull off something original and end the franchise on a satisfying note. The ending implies another film, but I'm not worried just yet. It's not empty anymore, that's for sure. You may get slightly bored when the film slows to allow you to catch breath, and the peformances are only semi-bearable, but otherwise this is a surprisingly decent sequel that uses tricks of sight and sound to make London an even more desolate and threatening place than before. Instead of adopting the same approach as the first film, it just lets loose with the mayhem and keeps inventing new tricks to ensure its runtime is one big panic attack. I'm not saying it's really that scary; just it puts in a lot more effort than most box office horror films, declaring itself a success in a genre full of post-modern-slasher-comedy-torture-porn failures. Still, I have to give this film credit for being genuinely unsettling in places and making me wish I hadn't spent a tenner on Chinese food. It was entirely necessary but felt entirely forced at the same time. Of course, you should suspend your disbelief for a film like this, but I'm not even referring to the spectacular bombing of London or the ridiculous skewering of zombies by a helicopter blade (which did make me groan) The part which didn't seem believable was on a much more grounded level, it concerned one particular character that kept conveniently showing up in order to further the story. I would however be lying if I said things didn't get far fetched. From this first twist, we become aware that the plot isn't so contrived as it could have been under the "curse-of-the-sequel" They could just have easily started the Virus up again with another test tube smash, but instead the writers opt for a more complex approach that plays into a conflict already established from the film's first few scenes. From the outset, Robert Carlyle heads up the cast, although things take a trick turn to spice up the adventure. It's done in a way that allows the darkness of London to stand out in a much better manner than the first film, creating a post-apocalyptic terrain for the predators and their prey to scurry through, all the while being chased by flames. The way this film is shot adds to the chilling atmosphere. A metaphor for the Iraq war? Probably, as the soldiers begin to kill on sight everything that moves without hesitation, including civilians and even their own men. As with the first film, the threat isn't just the Rage victims, it's also the military. I bloody hate the kids in this, so there's not much sympathy involved for their characters, but the amount they have to go through is unlucky to say the least, so you do owe it to yourself to wish them the best. Cilian Muprhy in the first film found himself alone and looking for survivors, in this one we get an established family torn apart in a cruelly sadistic fashion. It's in part to a theme of family, and the disintegration of that family by the virus. This is much more disturbing than the first, containing one scene that genuinely creeped out even myself. I wasn't overly enthusiastic about this sequel, partly because 28 Days Later director Danny Boyle wasn't at the helm (an executive producer instead), but when the first scene got going, it had me ready for 90 minutes of bloody carnage. First things first, this has a great opening scene

Ethan P (fr)

Russell's performance is especially fantastic. The explosive chemistry between Cary Grant and Rosalind Russell is reason enough to watch this satirical and tense film about the ridiculous world of journalism and reporters quest to get a story on a murderers escape from prison

Glorimar S (ca)

Really nice and lovely singing!!! <3

Harry G (fr)

It would be the best film made about the Pacific War in at least the last decade if it weren't for its even better companion piece, Letters from Iwo Jima. Indeed the smoothness of the narrative, even as it jumps in time and space over decades and thousands of miles, is testament to how good this film and Eastwood's direction are. Production-wise Phillipe and Beach both deliver incredibly strong performances, equalled by the superb cinematography which gives one an easy understanding of the scale and geography of the combat without breaking jarringly from the story. It also underlines the darker side of not only the war in the Pacific, but the manufacture of 'heroes', the treatment of veterans, and cynical exploitation of fame and horrific circumstances. Instead it is an honest personal attempt to understand the motivations and actions behind not only 'that' photograph, but war as a whole. It is an excellent film, which probably suffered unfairly at the hands of the critics and cinema-goers because it turned out not to be 'Saving Private Ryan in the Pacific'

Joe R (ca)

Everything else is awful. The women are the only thing the film has going for it

Jorge B (mx)

Great! it details the work of the bravest men in the world

Samantha B (us)

Having just gotten breast implants it was good to learn about the birth of them :)

Wayne F (ag)

ot as good as the previous 2 movies but still more watchable than a lot of others. Not so much kickboxing as there is shooting to be honest