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Ultimate Target

A double-dealing member of an elite group of hit men becomes the ultimate target when his organization discovers his deceit.

A double-dealing member of an elite group of hit men becomes the ultimate target when his organization discovers his deceit

Ultimate Target is a great movie of Jim Chadwick. The released year of this movie is 2000. You can check list actors in this movie torrents, such as Gary Daniels, Christopher Stapleton, Michael Madsen, John Koyama, Milby Barron, George Cheung, Tim Colceri, Lydie Denier, David 'Shark' Fralick, Steven Ho, Tracy Phillips, Stone Van Gorder. Movie' genres are Adventure. This movie was rated by 5.6 in www.imdb.com. We have a good movies torrent. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

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Links Name Quality Seeders Leechers Size
Download   Ides Of March 2011 DVDSCR AC3 XViD - U.S.M Screener 48 39 1.39 GB

Users reviews


Andrew M (jp)

I would very much suggest this movie. This one was a lot better. If you didn't like the first one, then I suggest this one. This movie is better than the first one. Madagascar: Escape 2 Africa is hilarious and intriguing


Art S (ca)

However, I never played the videogame. The twists and turns of the current movie unfortunately didn't quite grab me, seeming too artificial, unmotivated, and ultimately clichd. (That's not to say that Miike doesn't let some of his films get out of control - probably on purpose). After all, someone who has directed 90 projects (not all of them films) since 1991 (according to IMdB) must know a thing or two about managing dramatic tension - especially in a courtroom drama. Director Takashi Miike adds a dash of flash to the proceedings with an extra helping of CGI, an oddball supporting cast, and, in fact, a steady hand on the controls. I didn't realize that this film was based on a (Japanese) videogame, but in retrospect the plot clichs and the two-dimensional characterizations do seem to fit the mold


Ben S (kr)

A stylish and considered drama, Salvo may reveal itself as partially shallow if inspected too deeply but, for the atmospheric journey it takes us on, the Italian debutants deserve the highest of praise. With the themes of vision and morals enthusiastically toyed with throughout, Salvo is a film to become lost in, as the odd relationship between captor and captive works to an unpredictable conclusion - and, perhaps most impressively, shuns the more obvious melodramatics. Required to do little more than brood and stare he is nevertheless able to shape this into a performance as intriguing as the expertly captured photography. Centred on a laconic, but captivating Bakri, his stony face forms the film's lasting image. Piazza and Grassadonia have steered consciously clear of making the traditional reformed hitman movie, but on this evidence their talent for action deserves further expansion. While this is the film at its most lyrical, there is a tinge of disappointment that the initial surge of adrenaline - and more generic elements - are not expanded upon. Bereft of much dialogue it's these sensory interactions that tell the story. The heat is oppressive, the dark is claustrophobic and Salvo' s bright eyes pierce through it all. Predominantly a film of the visual, much of the credit for its success falls with cinematographer Daniele Cipr, whose colour palette and shadows bring the experience to life with an expressive, palpable texture. Rita may have brought a change upon him, but a dark past is not so swiftly forgotten. In a minor, but deeply significant, scene Salvo patches up a bullet wound to his abdomen, and drifts off to sleep - but as the blood swiftly seeps through his crisp white Lacoste polo shirt he is forced to revert to his standard all black attire. Salvo's intentions are left deliberately abstract, but far from sexual he seems more fascinated with the purity and helplessness of this beautiful creature - finding solace in caring for someone who is so far removed from his mortal sins. After navigating around her in a pitch-black house sheltered from the stifling Palermo heat - in a nerve-shredding, single take scene shot intimately over the shoulder - the hired killer mysteriously spares her life and instead chooses to imprison her in a run down outbuilding. But Salvo is forced to question his life, and very nature, when confronted with Rita (Sara Serraiocco), the partially sighted sister of his latest target. The eponymous Salvo - a mesmerising Saleh Bakri - is a mafia hitman dressed in black and relentless in his cold-blooded pursuit of a target, as an electrifying opening chase sequence testifies. Painted in the dark colours and deep lines of the Renaissance painters, Salvo is a film of imagery and atmosphere, with a minimal plot utilised to knit its more spiritual feelings together. Italian directing duo Antonio Piazza and Fabio Grassadonia mark their feature debut with Salvo, a mob thriller more concerned with sensual tactility than machismo and bloodletting


Janine S (us)

Absolute Rubbish! Never watched a film this BAD before


JB R (ru)

Great find for fans of British Horror. The film slumps a bit in the middle but overall maintains an eery tension. The direction is solid and consistent with the tone of the whole picture. Understated thriller with story by the wonderful Baxt, Beaumont, & Matheson team


Jessica H (kr)

I felt a bit tortured by the horrible acting


K K (br)

s far as Westerns go its a good look at what it means to have 'Pals'. Young Guns has just enough good acting with killing and shooting to make it worth watching. A good buddy western with laughing fighting and dirt


Kara H (gb)

Great actors. Pretty funny most of the time too. Love


Kc J (nl)

This movie was absolutely mesmerizing. I love how it shows him going from bad to worse to completely gone. This is by far my favorite Cage movie


Maria Z (it)

. . It`s a good classic-style, tender story, always up to date