Uninvited (2003) torrents full movies

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Uninvited

Jeong-won is a man with no memory of his childhood and his real family. At the beginning of the film he witnesses the deaths of two young girls. He begins seeing the girls dead bodies ...

Uninvited is the best new movie of Soo-youn Lee. The released year of this movie is 2003. We can counted many actors in this movie torrents, such as Shin-yang Park, Gianna Jun, Seon Yu, Ok Jeong, Ju-shil Lee, Yeo-jin Kim, Ki-hwa Kang, Won-sang Park. Movie' genres are Horror. Many people rated for this movie, Rate is 5.9 in www.imdb.com. We have a good movie torrents. The runtime of this movie are awesome, about 127 minutes. KimHoaNg is good uploader, she is very lovely. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your thought. Do you know what are visitors? ChimTo is the best. I don't push my Galaxy screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

. . He begins seeing the girls dead bodies . At the beginning of the film he witnesses the deaths of two young girls. Jeong-won is a man with no memory of his childhood and his real family

Uninvited torrents

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LinksNameQualitySeedersLeechersSize
Download   The.Uninvited.2003.DVDRiP.AC3.XviD-WRDDVDRip53411.36 GB
Download   Uninvited (1988) - DVDRipDVDRip4426633.57 MB
Download   Uninvited (2003) BluRay 720p 5.1CH x264 SmallAndHDBRRip39291.09 GB
Download   Uninvited.DVDRip.avi.[H-264 AVC]DVDRip2637632.77 MB

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Users reviews


Alex G (nl)

un through and through. A perfect 80s wonderland of buddy-cop and sci-fi charm


Ben L (br)

It's just not my style of film I guess, even if it was made well. Similar to many people from that era, the characters simply endure the hardship, they don't really affect it in any way. The story has very little progression, and the characters do almost nothing to influence the story. To be clear, I don't think Sounder is a bad film, it simply didn't do a whole lot. Even those small moments of hope are strictly for the oldest son, not the family as a whole. I think they did a fairly decent job of portraying what it was like to live in those difficult times, but there's only faint rays of hope in the story. Sadly, the story of the movie is very bland and doesn't amount to much, which is why I didn't care for it I guess. Cicely Tyson and Paul Winfield are great as his parents, and I like a number of the other adult actors as well. He shows one minor moment of emotion, and everything else is flat and monotone. It's tough for a child actor to portray the amount of emotional turmoil that this kid has to go through, but I was surprised just how bland Kevin Hooks was in the role. The story focuses much more intently on the eldest child of the family. I'm not 100% sure why the movie is named after their dog, since he doesn't have a very active role in the movie. In an effort to feed his family the patriarch commits a crime and is punished, which has an adverse affect on his entire family. Sounder is a very simple tale about a black family trying to make ends meet in the midst of the Great Depression


Bobby M (ag)

One of the worst movies ever


Brandon H (nl)

I luved this movie growing upAnd that whole team up scene were the kids fight aliens and use amusement park rides as Vehicles I just LUVED this movie sooo much!


Brendan C (es)

Ultimately it's a lack of multi-dimensional writing and pathos, in my mind, that detracts from any aim the film has of doing justice to the historical persons, and makes murky their story. Until the final scene, when their absolute viciousness is wrought upon the sisters. Furthermore, though the Mistress and her daughter were clearly nasty and cruel, there seemed to be little explanation for the absolute brutality of their murders. The tonality of the film is consistently stark, with only momentary flourishes of humor and color. However there is sparse exploration of the interior realms of the both of them, despite the strong efforts of the actresses. Furthermore, Reference is made to Lea's dreamy sensibilities, and Christine's hopes for an unbound future. But oddly, the relationship between the sisters seems oddly deprived of air as well. So the viewer is exactingly transported into the climate of the time and household of the monstrous methodical mistress. As the working/living conditions/class expectations for these sisters, no doubt, were horribly stifling. . Indeed, this is clearly the intent of the filmmakers. --Spoilers-- (does it count for an historical stories' dramatization?)) Overall I found this to be a suffocating film


Derek S (au)

It's funny sometimes, but boring overall


Hannah J (br)

Omj i love this Movie and Hold on by Jonas Brothers is in it!!!


Harry E (ca)

Since he and Russell Crowe are just now revamping Robin Hood, I think it may be apt to bring up a comparison. ) It seems to me that the alternative to embracing the silliness in depicting Medieval combat is to go the Ridley Scott route and be all-out brutal and hardcore. (My other favorite touch was the prominence of Connery's balding head in his love scenes with Hepburn. ) This strikes me as a particularly Lesterlike way of making a point that the popular myths are a tad too rose-colored; real life just couldn't have been quite as smooth and dashing as those stories make it seem. (Perhaps the multiple close-ups of the heads of fowl in the film are meant to complement the featherlike armor. The Python film gave Medieval outfits an irreversible sense of silliness; in Robin and Marian as well, you can't help but notice that those cylindrical helmets are awfully clunky-looking (in the opening scene, as two knights bend down facing each other to pick up a large rock, their helmets bump against each other - a wonderfully Pythonesque image), and that one guy's armor looks awfully like chicken feathers, which I'm sure Lester noticed, as it's very much in keeping with his style of accentuating - mildly, but just enough - the absurd little details in his scenes. Since Richard Lester's crowd in large part paved the way for Python, I think it's fitting for me to make these observations while looking at this film, which he directed the year after Python's Grail film was made. Random observations: I'm not a scholar on this, but I think that depiction of the Middle Ages in film changed a great deal after Monty Python and the Holy Grail. Overall, though, largely due to the magnificent chemistry between Connery and Hepburn, the film mostly succeeds as a wryly affecting elegy for popular myth and the people behind it. His development from the one to the other isn't adequately fleshed out. Also, the character of Robin Hood isn't fully cohesive: early in the film he seems to want to just stop fighting, weary of 20 years of bloodshed in the Crusades, but later on he's addicted to the warrior lifestyle and becomes the attacker. Lester did a better job integrating the funny with the serious in How I Won the War, in which the absurdity of war was exactly the point to highlight the tragedy. Richard Lester is too deeply rooted in fun and physical humor to abandon those things, so there are comedic fights in here too, and they don't really mesh with the seriousness - though he still laces them with a hints of brutality: the good guys don't just knock the bad guys over as in sight gags; Robin clearly dispatches one by slitting his throat. The downside to the film is that it's uneven. The reason for their feud, if there was one, doesn't matter; by now it's become fighting for its own sake, and it's soberingly effective. Battered, broken, and bleeding, they push on in a fight to the death. The final duel between Robin and the Sheriff is great: two tired men heaving blows at each other with all the might they have left. When the people join Robin's band, they do so because they want to be part of the legend - they expect the fun and excitement we associate with the storybook Robin Hood (and the most popular previous film versions) and aren't prepared for the very real risk of being killed. This isn't all rollicking fun, since people are getting killed, and it doesn't really seem like there's much of a cause behind all the fighting; Robin and the Sheriff resume their fighting seemingly more out of habit than anything else. There's great poignancy to this film; it recognizes that violence is not to be taken lightly, that lives are actually at stake. Here, Robin Hood is aging, past his prime, and wrestling with the need to live up to his myth. This movie ponders some pretty deep questions about what heroism really is and the price of being a legend


Jennifer M (fr)

This movie gets one star for the cast and no stars for wasting talent and making such a white trash flick


Joe F (ag)

I hope this is better than Space Buddies! I think that Butters should join the Buddies team in the future, don't you?