Uwasa no onna (1954) torrents full movies


Uwasa no onna

Hatsuko Umabuchi is a widow who runs a prosperous geisha house in present day Kyoto. Her daughter Yukiko returns from Tokyo following a failed suicide attempt, after her lover found out ...

Uwasa no onna is the best great movie of Masashige Narusawa, Yoshikata Yoda. This movie was introduced in 1954. There are many actors in this movie torrents, for example Kinuyo Tanaka, Tomoemon Otani, Yoshiko Kuga, Eitarô Shindô, Bontarô Miake, Chieko Naniwa, Haruo Tanaka, Hisao Toake, Michiko Ai, Sachiko Mine, Yôko Wakasugi, Kimiko Tachibana, Teruyo Hasegawa, Teruko Daimi, Kan Ueda. The kind of movie are Romance. This movie was rated by 7.7 in www.imdb.com. We have a good movie torrents. The runtime of this movie are awesome, about 83 minutes. DeGea is crazy uploader, she is very fast. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your opinion. Do you know what are visitors? ShinichiKuto is the best. I don't leave my laptop screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

. . Her daughter Yukiko returns from Tokyo following a failed suicide attempt, after her lover found out . Hatsuko Umabuchi is a widow who runs a prosperous geisha house in present day Kyoto

Uwasa no onna torrents

Uwasa no onna full movie

Uwasa no onna1954 torrent

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Download   Uwasa no onna.1954.DVDRip.MoC.AVC-mfcorreaDVDRip31351.44 GB
Download   The Crucified Woman aka Uwasa no onnaOther47394 GB

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Users reviews

Angie T (es)

Would not have sat thru it if Steven Strait wasn't so hot :p

Casen S (kr)

Overall, an enjoyable movie-watching experience. Andy Lau is just a great actor, and plays his character very well. It is fit with suspense, drama, and some very intense action sequences. This movie is creative and, at the least, very entertaining. A well made, slightly over-done action movie

Davis B (au)

This is what makes them different from other people, they act on their consciousness. She highlights characters Narayan, Kalyani, Shakuntala, and Chuyia in the film as people who speak out about these rules that bound widows. With Deepa Mehta's film, all these hardships have been intelligently brought to life for the thirty-four million widows in India since 2001 that are still living under social, economic, and cultural impoverishment engraved upon them two-thousand years ago by the Sacred Texts of Manu. For example, Narayan's mother's reaction to his announcement of them getting married, the rude street vendor who wanted to get rid of Chuyia, Madhumati who locks Kalyani away in a room so that she can't get remarried, and the deplorable men who exploited Kalyani and Chuyia. I had known that in the Hindu religion, women that have husbands passed away, were burned on occasion, but I would have never known about the mental and emotional pain felt by these excluded women. Overall, this movie has a beautiful and moving plot that uncovers many truths in the Hindu society for Indian women. For example, it was hard to understand why she demanded the boat to turn around and why she drowned herself in the river was unclear to me because I couldn't keep track of the men outside of the ashram, besides Narayan, that later turned out to be her clients. The only reason why I didn't give the movie a 10/10 is because of the multiple scenes that dragged on for a little bit too long and it was hard for me to understand some parts. They live in a tiny two-floor house, living there to repent bad karma and to relieve their families of financial and emotional hardships. The fourteen widows in the ashram are expected to live out the rest of their lives in poverty, hardship, and worshiping of Gods. Widows in the Hindu India have a lower position in society. Then she is whisked off to an ashram in rural Varanasi where many other widows also live. She is a victim of the previously common practice of child marriage. Set in 1938 India under British rule, it begins with young seven year old Chuyia (Sarala Kariyawasam) being awoken and told by her father that her arranged husband has just died, making her a widow. While filming, Mehta received many death threats for her work on this controversial film focused on the concepts of misogyny and ostracism of female widows in India. That movie is Water, written and directed by Deepa Mehta. This is a profound idea found in a movie that made those people who listened to their conscience the focal point of the movie. The people who make a difference in this world are nothing more than people who listen to their conscience

James H (es)

The critter, El Chupacabra, looks decent considering the budget. But, the basic story isn't too bad. Also, the dialogue is laughably bad at times. it is very distracting from the film. The main thing that is bad about it is the bad acting. It was better than the scathingly bad reviews I have read on it, but it still isn'y good

Michael K (br)

I am a bit biased though. Of course I love this movie

Nobu H (kr)

Very interesting surreal near future situation in some Asian country

Peyton C (nl)

I especially love Eugene Levy and Seann William Scott's performances. The laughs are constant and it's a believable friendship between all the characters. As a whole, I think this is on par with John Hughes' teen films

Stephen C (es)

th todays computer generated effects, it would be awesome!. . . Strange. I hope that they decide to make a new Dr. . . . This was not a good representation

Tibor B (nl)

. . Oh, and RIP Matti Pellonpaa his presence is missed. It probably helps to be familiar with the style and pace of his movies, but I'd still say this is one of the most accessible examples of his work. It's also very uplifting, despite the fact that for the vast majority of the movie it doesn't seem like things could get any worse for the couple (and the dog). Wonderful, dare I say it one of Kaurismaki's more emotional films?! There is definitely a sense of Kaurismaki maturing in these more recent films, with many of his trademark visuals, themes and jokes integrated subtly into the plot