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Wedding Trough

A mad farmer falls in love with his pig and has mutant piglets with it. When the "piglets" prefer their mother over him, he hangs them all and the sow kills herself.

  • Category: Romance
  • Stars: Dominique Garny
  • Uploader: NickDan
  • Writer: Dominique Garny (screenplay), John Kupferschmidt, Thierry Zéno

When the "piglets" prefer their mother over him, he hangs them all and the sow kills herself. A mad farmer falls in love with his pig and has mutant piglets with it

Wedding Trough is a excited movies torrent of Dominique Garny (screenplay), John Kupferschmidt, Thierry Zéno. The released year of this movie is 1975. We can counted many actors in this movies torrent, for example Dominique Garny. The kind of movie are Romance. This movie was rated by 4.8 in www.imdb.com. This is really a good movie to watch. Enjoy this movies torrent and share to your friends

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Links Name Quality Seeders Leechers Size
Download   Vase de noces aka The Pig Fucking Movie (1974) Other 52 49 696.81 MB
Download   The.Pig.F_king.Movie.vhsrip.(vace.de.noses,wedding.through) Other 28 48 514.13 MB
Download   Pig Fucking Movie [Reseed] Other 28 39 514.13 MB
Download   Vace De Noses, The Pig Fu*king Movie [Re-seed]. Other 39 29 510.4 MB
Download   Vase de Noces Other 42 39 4 GB

Users reviews


Brett B (ag)

A fairly low-rent, silly slice of shlock, but I'll give the filmmakers a bit of credit: there are a couple of legitimately icky gross-out moments that are kind of fun, and there's a touch of southern fried charm that sets it apart from the more bland horror offerings with similar themes of nature going haywire


Carlton R (mx)

This movie was a box office smash for madonna, yes its a crazy story, but i dont think people get the fact that madonna chooses to do these thing because she wants to, i love this film, i saw it in the cinema and loved it,


Carly B (ru)

This laughable excuse for MST3K-esque horror cheese? Not so much. Gabriel Byrne? Love him


Emeric T (us)

J'en ai connu D bien pire !


familiar s (fr)

an't fight fact!!!. PS: I know some might feel that it's not fair to consider a movie mediocre just because it's presented without much dramatization, but that's how the score stands for me. As much as I applaud his efforts to realize his dreams, I still gotta admit that the movie was a plain mediocre which doesn't incline me the least to learn more about him or check out how much historically correct the movie was (which happens more often than not for such movies). The fact that it's based on real life person who struggled hard for success (and whose life story could have been more inspiring) doesn't help it any because it has a feel of "been there, seen it all". Everyone have put in their sincere effort at every level, but not exceptional. ) Maybe because the movie didn't have any moment that lingers in your mind for long. Or should I say that I'd never heard of this movie till y'day??!!! (Take your pick from the one that sounds more appealing. Never heard of him till I stumbled upon this movie (which was just yesterday). Tucker


Harry W (it)

So The Dirty Dozen: Next Mission boasts some occasional moments of flare in the action scenes and leading performance from Lee Marvin, but the recycled plot and limited production values fail to create any sparks. It's good to see Ernest Borgnine make a return as well, even if it is a mere cameo. Lee Marvin maintains the same level of strength he did in The Dirty Dozen, even if the script he is stuck with does not. Echoing the same plot dynamics he has experienced before, Lee Marvin nevertheless manages to remind viewers how he charmed them all the first time around with the same straighforward attitude towards all the drama with an occasional comedic edge. The actor returns to the iconic role of Major John Reisman, and though the film fails to offer him any innovative material in the role he still maintains his natural charisma even 18 years on from The Dirty Dozen. The return of Lee Marvin is the one consistently enjoyable element. Viewer's don't have to be the least-demanding action fans to appreciate the action because it is fairly decent, but the film could use a little more of it. The viewer is still left to wait for them to happen following a series of training sequences and mediocre dramatic plot points, but if the most die-hard fans of The Dirty Dozen can get over the story then perhaps the action will suffice. But since the story is so arbitrary, the action sequences are the best scenes in the film. The film is essentially a lot of shot-reverse shots with only decent stunts being captured, not that much which is too creative or all that stylish. There are simply a lot of medium-long shots cutting between characters shooting or throwing grenades and then their enemies falling with mostly bloodless deaths. There is some fun to be had with all the explosions and gunfire amid its intentions to be old-fashioned, but there is no denying the B-movie nature of the action sequences. In terms of production values, the larger scale of warfare depicted in The Dirty Dozen must is degraded to conforming to TV-movie movie standards and ends up with a loose collection of lesser-quality stunts. At least the film knows to end itself with some action. It just pushes forward to a generic ending which closes on the exact same note as The Dirty Dozen with dialogue which is near-identical, giving an ending mediocre enough to live up to the standards of everything that preceded it. Rather than using the same style of plot point from the end of Seven Samurai (1954) or its western remake The Magnificent Seven (1960) where the characters discuss how the victory of their mission remains no compensation for the brothers they lost in combat, The Dirty Dozen: Next Mission actually says nothing. The one chance the film could have put some smart drama in would have come from the end where the characters have predictably succeeded though many of their comrades have died in the process. And even then, it lacks the same level of grit to pack any major dramatic punch. McLaglen offers little room for fun with his film and delivers a production which effectively just comes off as being pretentious as a result. As if he really thinks viewers will appreciate the serious nature of the film, Andrew V. Gastellari did in adapting The Dirty Dozen into his B-movie classic The Inglorious Bastards (1977), a feature which accomplished its goal of achieving exploitation fun and little more. McLaglen to take the same path Enzo G. Since there are so many limitations blocking the film from greatness it would have been better for Andrew V. In essence, The Dirty Dozen: Next Mission is essentially a mockbuster of itself without any kind of humourous edge or sense of exploitation fun. It has the same high-concept plot, but it is a production outside of the counterculture era and therefore lacks the political commentary that was one of the many aspects making the original great. So though it copies essentially everything story-related from its predecessor, The Dirty Dozen: Next Mission shows little sense that it knows what made its predecessor great. The most notable of these is Arlen Dregors, a representation of the racial oppression present within the military and a half-assed copy of Jim Brown's character Robert Jefferson. This hardly matters because all the new mecanaries are forgettable and generic soldiers or pale imitations of characters from The Dirty Dozen. The running time is far shorter than The Dirty Dozen and the pace moves along faster so it doesn't waste too much time with its characters being trained, but this also means there is not enough time for there to be essentially any characterization. The general fact that The Dirty Dozen: Next Mission is a TV movie casts limitations on it. It is the viewer who is left to have the problem with it, having to re-live The Dirty Dozen with a lot of predictable plot points and familiar drama from beginning to end without the production values, charming cast or even the humourous tone of the original. Essentially, The Dirty Dozen: Next Mission is set up to be a cheaper replica of its predecessor and has no problem living up to that. Since the possibility of this has already been established and most of the dozen were killed in the climactic mission, the star-studded cast of the first Dozen cannot return and so they must be supplemented by a collection of very loosely-known actors. The entire concept of the film revolved around training the titular team of mercenaries to prove that convicted war criminals could be trained to work in a team and respect authority as professionals. There is very little reasoning in making a sequel to a film like The Dirty Dozen (1967). Though The Dirty Dozen: Next Mission didn't boost credibility as a TV movie sequel to a war classic, the returning presence of Lee Marvin was enough to anchor my viewing


Jaide B (kr)

Hope they bring it to DVD soon. Underrated war movie with the gorgeous Ken Wahl, and for the guys- Cheryl Ladd


Jason S (nl)

its very entertaining i enjoy it


JeanFranois S (fr)

Mais face ce souci de crdibilit, Fritz Lang se laisse aller son dfaut majeur: un montage beaucoup trop long (2h45!) pour un scnario qui n'en mritait pas autant. Les futurs agences spaciales gardrent l'ide lorsqu'ils lancrent leurs premires fuses. Autre innovation plus surprennante, le film marque l'invention du compte rebours. Toujours est-il que respectants les plans et les conseils de ceux-ci, les dcorateurs du film tablirent une rfrence mondiale en matire de fuse, et jusqu'aux dbuts des programmes spaciaux russes et amricains, tous le monde copiera la fuse de Fritz Lang (dont la clbre fuse d'Herg). La UFA lui confia mme la tche de fabriquer une vraie fuse pour la premire du film, mais ses connaissances de l'poque taient encore trop limits et aprs quelques checs, le studio abandonna le projet. Fritz Lang ne voulait pas d'un film fantaisiste ou utopique et tout comme Kubrick le fera avec "2001, odysse de l'espace", il s'entoura d'minants scientifiques de l'poque pour la crdibilit du voyage spaciale, dont principalement Hermann Oberth qui travaillera aux missiles V2, puis la NASA (Hitler classa le film secret d'tat lors du programme des V2). Aprs le succs des "Espions", malgr des coupes budgtaires drastiques dut aux dpassements budgtaires de "Mtropolis", Fritz Lang bnficie nouveau d'un budget plus consquent pour ce film d'ex-science-fiction, qui reprend une des fins envisage l'poque pour "Mtropolis". Un film o il dut se battre pour le garder muet, car le succs du cinma parlant est dj l quand le film sortira, la UFA voulait le rendre sonore artificiellement. "La femme sur la Lune" est le dernier film muet de Fritz Lang


Jose Luis M (ca)

Discreta e inspiradora pelicula de Eastwood