Withnail & I

London, 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to ...

. . Matters are not helped by the arrival of Uncle Monty, who shows an uncomfortably keen interest in Marwood. But when they get there, it rains non-stop, there's no food, and their basic survival skills turn out to be somewhat limited. London, 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to leave their squalid Camden flat for an idyllic holiday in the countryside, courtesy of Withnail's uncle Monty's country cottage

Withnail & I is a excited movies torrent of Bruce Robinson. The released year of this movie is 1987. There are many actors in this movies torrent, for example Richard Griffiths, Richard E. Grant, Paul McGann, Ralph Brown. Movie' genres are Action, Comedy, Drama. Many people rated for this movie, Rate is 7.8 in www.imdb.com. This is really a good movies torrent. Share with your friends and watch this movie together

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Users reviews

Christopher W (es)

Got a good laugh out of this. Cedric the Entertainer is funny like always

Cynthia S (mx)

ery cool!. There is a 25th Anniversary performance afterwards that actually involves Andrew Lloyd Webber himself. Beautiful production. The music from this is some of the most memorable of all musicals out there, in my opinion. Fabulous! The woman that plays the part of Christine (Sierra Boggess) sings like an angel

Frederic M (de)

Matt Dillon is very powerful. Unexpected finish. Interesting scenario

Jacob H (nl)

Definitely not something for everyone, but for those that do enjoy these movies - it is an enjoyable mindless romp of bodies and bullets. The gun play is exaggerated and in graphic novel style. Gangsters playing cowboys in a small town

Lee M (it)

Their eyes and body language say as much as the dagger-sharp dialog. Broadbent and Duncan have never been better

Leigh B (ru)

I loved this movie. What a great look into race and what all makes us the same. The set designers, costume designers, actors, and writers provided us a view into 1960s Jackson, MS. This is an exceptional movie

Pamela D (fr)

An offbeat, arty suspense thriller about an evil, domineering mother, and the ghost of a cat with style and plot similarities (but a different story) to The Oprhan (1975)

Petros T (ag)

"Entrapment" has good moments, especially thanks to the plot, but the execution wanes a lot, resulting in a rather trite movie

Philip J (it)

From what I hear, the R-rated version edited out several good stuff. Be sure to get the unrated version. No, this film will not change the face of horror cinema, but it is an enjoyable, spooky ride with the right mix of gore and goose bumps. It is worth a rental for horror film buffs who are looking to have a good time without having to worry about such cinematic nuances as thematic content and pathos. For the more serious-minded horror fan, if you can get past the corny dialogue, lame plot, and inordinate stereotypes, you will find Night of the Demons to be a surprise treat. Good thing this film maintains some semblance of humor; otherwise its flaws would've made this film rather embarrassing. Granted the humor does misfire quite a bit, but at least it is worth a couple of chuckles. The film's sense of humor isn't overbearing to the point it becomes a parody of itself. Earlier on, I pointed out some of the film's more glaring weaknesses, but even I have to admit this: the badness is part of the film's amusement factor. Special effects guru Steve Johnson gets the job done right in crafting the gruesome sequences. I will say no more except it is an awesome twist on the traditional throat-slashing murder. My favorite death scene though involves the aforementioned cantankerous old guy and some sharp-edged razor blades. Sex is lethal, my friend. And yet two other foolish victims decide to have sex -- inside a coffin! Consequently, they both get trapped -- permanently. Someone else loses his tongue while trying to make out with Angela. One poor soul gets both of his eyes gouged out. The graphic and gory murder sequences are worth highlighting. That sequence admittedly impressed this normally jaded viewer. One particularly memorable effect has the possessed Suzanne sticking a tube of lipstick right inside her breast. The eye-opening special effects are really ingenious. However, unlike a good majority of horror movies out there, this happens only few and far between. Of course, it is only Sal. As soon as they open a coffin, someone jumps out. In one scene during their arrival at Hull House, a couple of teens investigate what is inside a coffin. Good atmosphere, mood, and tension which builds level by level all enable this film to convey an overall sense of palpable dread throughout -- especially once the real party begins! At times, Night of the Demons does go for the "false alarm" scare (this always seems to irate me the most). Like Stanley Kubrick's The Shining, Night of the Demons is a possessed house tale that has atmosphere to boot. A truly good horror sequence should allow the viewer to realize danger is approaching yet he/she cannot exactly anticipate when (and how) it will manifest. It is both nerve wrecking and exciting at the same time. For me, it is a more satisfying experience to watch a movie that emphasizes on slowly building terror and gradually increasing momentum. When a demon possesses a character and she begins to exhibit eccentric behavior, you feel just as nervous as the characters on-screen. When the camera pans the various corridors and deserted rooms of the haunted house, you get a sense of apprehension tingling down your spine. Tenney makes use of the derelict house setting to amplify the fear factor. He doesn't rely on hyper-kinetic, migraine-inducing editing; instead Tenney focuses on mood and deliberate pacing to exploit -- and play with -- our intrinsic fears of the unknown and supernatural. Tenney actually gives a damn about building suspense and tension. Instead of going for cheap frights and thrills, director Kevin S. Unlike most post-Scream horror flicks which emerged starting in the late 1990s, Night of the Demons goes for the jugular when generating scares. Yet in spite of what I have been writing, I still find Night of the Demons to be a competently made horror film. The overacting from a number of cast members (especially from Alvin Alexis and Hal Havins) bothered me a bit, but I guess they were portraying caricatures after all. and horny at the same time. . . Especially when she is possessed. Veritable screen queen legend Linnea Quigley delivers one of the better performances. Most of the performers themselves were apparently at least ten years older (at the time this film was made) than the teenagers they portrayed. To put it kindly, the acting in this film is unmemorable. I suppose it all depends on what kind of mood you are in. Some audiences will groan when listening to the dialogue; others will revel in it. Of course, the two replied positively, but she makes a comeback by saying that they don't get a whole lot of blowjobs. She notices the two peeping toms and asks if they have any "sour balls". Another scene takes place in a convenience store, where two horny clerks are staring down Suzanne's dress. That's the point, right? One of the more unforgettable (and quotable) lines of dialogue is "Eat a bowl of fuck! I am here to PARTY!" This line is of course, courtesy of Stooge. The dialogue is definitely pathetic, but truth be told, I couldn't help but laugh at it at times. As for everybody else, actually I was kind of happy when a few of these characters bit the dust. Only the virginal chick is remotely likable -- and if you watch horror movies frequently, you'll know what kind of role she'll end up playing. Of course, it is expected that teens in horror flicks lack rationale. These stereotypes in turn, make the characters mostly unsympathetic --that, and the fact that they do some of the most absurd things imaginable while trying to survive in a possessed house. Being the grouch that he is, he hates those damn kids and thinks they cause nothing but trouble (which is mostly true). We also have a grumpy old man as a supporting character. Like the stereotypical Goth chick, Angela acts freaky and even does a freaky dance number at one point while her slutty best friend loves to be gazed at. He also happens to be the son of a preacher. Rodger, like most black guys in these kinds of movies, naturally has a penchant for acting overzealously paranoid. Stooge, the really rotund guy is a rude, obnoxious bastard with zero social grace (picture Bluto from Animal House with a touch of Eric Cartman and Peter Griffin). Another problem I had with Night of the Demons were the appallingly extreme stereotypes. That's basically the formula for Night of the Demons. Imagine combining the "house is alive" element from The Amityville Horror, the "I dare you to stay in this spooky place for one night" motif from both Hell Night and House on Haunted Hill plus the demonic possession concept from Lamberto Bava's nonsensical but entertaining Demons. The acting is for the most part lamentable and the plot itself is trite and unoriginal. Night of the Demons isn't exactly an innovative or groundbreaking horror film. , those who have sex will die). g. That's a good thing because Night of the Demons is replete with horrendous stereotypes, mostly unsympathetic characters, mediocre-to-terrible acting (and sophomoric overacting) and cliches galore (e. The extremely cheesy animation sequence which takes place during the opening credits strongly intimate that Night of the Demons is a horror film which really doesn't take itself too seriously. . . Who will get out alive? Will anyone be able to survive the night? Get ready for this is gonna be one hell of a party. They growl, they bite, they have a penchant for Freddy Krueger-style wisecracks. As Angela and Suzanne gradually transform into full-blooded demons, the two embark on a killing rampage and the bloody mayhem begins. She in turn kisses Angela (yes!!!) and before long, Angela is also inhabited by a demon. So one of the demons possesses Suzanne. Being that this is Halloween night, these demons are now free to wreck havoc however they wish. The demons, which have laid dormant in the deepest depths of Hull House, are finally awakened. But that is the least of her problems because there is even a more palpable threat. She'll definitely be getting seven years of bad luck. She panics, the mirror falls and shatters. While the seance is being performed, Suzanne witnesses a visage of a demon in a mirror. After spending some time chillin' and dancing, one of the teens suggests that they have a seance of some sort. All of them converge at Hull House where they decide to (what else?), party. And of course, horror movies need to have their share of truly obnoxious guys so fat lard Stooge (Hal Havins) and motor mouth Rodger (Alvin Alexis) fit the bill perfectly. Suzanne (Linnea Quigley) is Angela's best friend and a slut. Max (Philip Tanzini) and Frannie (Jill Terashita) are the typical horny couple. Sal Romero (Billy Gallo) is the rebel, the guy who loves to talk back to you --in your face. We later find out he is not as clean-cut as we thought, but I'll leave it at that. He is Jay Jensen (Lance Fenton), one of those preppy, clean-cut nice guys. At first, she is reluctant to attend Angela's party, but her boyfriend somehow convinces her. Judy Cassidy (Cathy Podewell) is the nice, virginal girl. Let's meet them. Lucky for Angela, there are a bunch of teens out there who are eager to try something different and actually join her soiree. tone and atmosphere of the spirit of Halloween. . . The rumors of it being possessed merely enhance the. But these are just rumors, right? C'mon, you know it is gonna be fun having a party at a place like Hull House. Hull House was also said to be where pure evil roams free. Word has it Hull House was actually a mortuary built on land the Native Americans considered "unclean". In case you are wondering, no this house isn't haunted -- just possessed. The location: Hull House. Your hostess for this particular party is the wicked Goth chick extraordinaire Angela (Amelia Kinkade). What are you planning to do? Go trick or treating with friends? Or maybe cause some mischief instead by playing pranks on your grumpy old neighbor? How about attending a Halloween party? But not just your run-of-the-mill soiree -- this party I'm talking about promises a night to remember. It is Halloween night

Shamika J (fr)

dis crap should not have even been called Belly yo, only thing good wuz da sex scene