Woman of the Lake (1966) torrents full movies

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Woman of the Lake

A married woman lets her lover take naked pictures of her. The photos end up in possession of a man who starts blackmailing the couple.

Woman of the Lake is the best funny movie of Yasunari Kawabata (novel), Toshirô Ishidô (screenplay), Yasuko Ôno (screenplay), Yoshishige Yoshida (screenplay). This movie was introduced in 1966. You can check list actors in this movie torrents, for example Mariko Okada, Shigeru Tsuyuguchi, Tamotsu Hayakawa, Keiko Natsu, Hiroko Masuda, Aiko Masuda, Sakae Umezu, Yukio Tada, Natsu Setoguchi, Shin'ichi Matsushima, Mitsuhiko Shibata, Hisanobu Ichikawa, Kazumi Higuchi, Shinsuke Ashida. The kind of movie are Drama. This movie was rated by 7.4 in www.imdb.com. This is really a good movie to watch. The runtime of this movie are awesome, about 102 minutes. BushCuLan is interesting uploader, she is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your thought. Do you know what are customers? ChimTo is the best. I don't fight my laptop screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

The photos end up in possession of a man who starts blackmailing the couple. A married woman lets her lover take naked pictures of her

Woman of the Lake torrents

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LinksNameQualitySeedersLeechersSize
Download   Onna no mizumi AKA Woman of the Lake (1966)Other40381.44 GB
Download   Onna no mizuumi aka Woman of the LakeOther32471 GB
Download   Onna no mizûmi aka Woman of the LakeOther32494 GB

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Users reviews


Brannon R (br)

I just bought it on VHS for a dollar and it was well worth it


Casey D (au)

Very outdated but cute


Chris C (us)

High School High doesn't quite hit the same high notes as Zuckers' previous Naked Gun series, but the film delivers enough laughs generated by it's central star, Jon Lovitz


David B (gb)

yeah watch it if you want to watch something a bit fucked up and funny. . . its was the boil i tell you the boil. nice second effort from bruce robinson but not a patch on withnail


David C (ag)

Yet there is something to be said for the principle of taking off the reins and making a film that is proudly not meant for all audiences: something few fantasy movies today have the courage-or, yes, the naivety-to attempt. The downside of "Conan"'s show-it-all approach to sex and violence is that it is occasionally degrading and often excessive. That is not to say that they are not violent and frequently sexist: they merely code their violence and objectification of women in ways that modern censors (MPAA reviewers) are either too dim or too hypocritical to acknowledge. Today, studios that make their shareholders happy by dint of teen and preteen ticket sales do not allow their blockbusters to cross that line, so films of this ilk today are often bloodless and sexless affairs. However, the element that most sets "Conan" apart from later and earlier examples of its genre may be its well-earned R rating. Her skill and capability are unqualified, and in a movie that is not always judicious in its depictions of women, her equal and at times grander stature to Conan's is a relief. But perhaps the most surprising of "Conan"'s achievements is its female lead Valeria, played by Sandahl Bergman. "Conan"'s supporting cast also stacks up well with the inclusion of Max von Sydow and James Earl Jones, two actors who are constitutionally incapable of bringing anything other than gravitas to a role. In all production categories "Conan" outperforms its near-contemporary, the noble but spectacular failure "Excalibur" (1981). It is not a cheap production: attractive Spanish shooting locales, titanic sets with a sense of weight, endless detailed costumes and thoughtful iconography elevate the basic storyline, as does an enthralling score by film composer Basil Poledouris. Milius, who also wrote "Apocalypse Now" (1979), takes Conan's made-for-action-figure characters and genre trappings seriously in a way that not every filmmaker might have, and his commitment keeps it from becoming too campy. Director/writer John Milius, however, infuses his ambitious adaptation with overtones from the ostensibly more serious tradition of sword-and-sandal films: it is difficult not to think of "Spartacus" during "Conan"'s first half hour, which sees the hero go from slave to pit fighter to outlaw iconoclast. "Conan"'s immediate textual source is itself, a cartoon from a 25-cent cult magazine. In the case of "Conan," the milieu is the fuzzy line between West and East in the age of Genghis Khan's Eurasia-spanning empire, imagined here as a world of tribes and ritualism. Long ago, in the distant time before "The Lord of the Rings" (well, before Peter Jackson's LOTR, not before the books or the earliest adaptations), before "Thor" (before the modern movies, I mean; not before the "Thor" comic character, which itself came long after the "Conan" pulp character), before "Skyrim" (OK, it was unequivocally before that), there was "Conan the Barbarian!" It would be wrong to say that "Conan" was the progenitor of anything other than Arnold Schwarzenegger's film career; the origins, influences, and manifestations of the major sword-and-sorcery franchises are complex and mostly separate from one another, hearkening back to and appropriating for their own purposes centuries-old, half-imagined stories and traditions that at this point in history belong equally to all


Keith E (es)

augh out loud at times. Surprisingly funny and ribald for its time, this tale of the perils of a mnage a trois had me smiling throughout


Ken D (de)

'Wild Orchid' is not very impressive visually either and looks like a B-movie compared to the similar 'Nine 1/2 Weeks' that is also starring Mickey Rourke. The story has some interesting elements, but the movie clearly needed a better director for it to work well. A very slow moving and somewhat provoking film about sexuality


Kevin M (ru)

Big Eyes is one of those cases where a film doesn't have any particular flaws, but it probably won't stick in your memory for too long. Colors pop and it's a visually pleasing movie, as a film about a painter should be. Tim Burton's distinct style is here, but it's a lot more subtle than any other movie he's done. Christoph Waltz is great as usual, Amy Adams does well. Tim Burton avoids another misfire and delivers a relatively entertaining film with a solid ending


Kyle W (de)

Of which I saw none, so it's only technically American; just. Actually, I was expecting a gang of nuke-toting, gum-bubbling, Gump-quoting, segway-racing corporate-tattooed obese survivalists. maybe to warn us that this heist won't occur in Papua New Guinea and that there won't be Austin Minis. . . Not sure what the exact purpose of this adjective is. American ? Yes, the title isn't a complete lie. From now on, you'll mostly watch brothers talking gravely and crying in each other's arms, but with their faces covered. Preparations ? What preparations ? Let's just pop in the bank with guns, take everyone hostage and hope nobody notices from outside. I'm not saying that the heist preparations take 1 hour. It's 1 hour and a half long, and the heist itself starts after 1 hour in. Heist ? Barely. That way, 2 requirements of US formatted products are met, killing two stones with one bird. There's also 1 woman, and she's in a love angle. You'll mostly watch brothers talking gravely and crying in each other's arms. Drama ? More likely. Mostly because one of them trots about 5 yards somewhere in the first half. I calculated that the sum of all main characters spent a grand total of 17 calories throughout the story. Action ? Nope


Louisa T (ag)

It's really heartwarming. I'm not really interested in Australian history or anything like that, but this movie was really good and I learnt a lot about Phar Lap from it