You Only Live Once

The public defender's secretary and an ex-convict get married and try to make a life together, but a series of disasters sends their lives spiraling out of control.

The public defender's secretary and an ex-convict get married and try to make a life together, but a series of disasters sends their lives spiraling out of control

You Only Live Once is a funny movie of Alexa. The released year of this movie is 1937. We can counted many actors in this movies torrent, for example Sylvia Sidney, Henry Fonda, Barton MacLane, Jean Dixon, William Gargan, Jerome Cowan, Charles 'Chic' Sale, Margaret Hamilton, Warren Hymer, Guinn 'Big Boy' Williams, John Wray, Walter De Palma. There are many categories, such as Film-Noir. Many people rated for this movie, Rate is 7.4 in www.imdb.com. This is really a good movies torrent. Enjoy this movies torrent and share to your friends

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Links Name Quality Seeders Leechers Size
Download   You Only Live Once - 1937 - Fritz Lang _mp4 Other 33 30 716.32 MB
Download   You.Only.Live.Once.1937.720p.BluRay.x264-GABE BRRip 50 54 2.17 GB
Download   You Only Live Once 1937 DVDRip x264-HANDJOB DVDRip 44 34 1.2 GB
Download   You.Only.Live.Once.1937.720p.BluRay.DD2.0.x264-DON [PublicHD] BRRip 46 53 4 GB
Download   You Only Live Once (Fritz Lang) - Pal English+Spanish Other 49 37 2.63 GB
Download   You.Only.Live.Once.1937.720p.BluRay.x264.Rosubbed-Psycho BRRip 37 37 3.28 GB
Download   Solo se vive una vez (1937) [HDrip-XviD-AC3][Castellano] HDTV 35 36 1.19 GB

Users reviews

B S (kr)

well actually there wasn't any. . . The only semi redeeming part was . Seriously. Absolutely horrible

Ben W (br)

You must see this. Oh yes

Charlie L (es)

While it takes a while to build and drags itself in the first half, The Godfather quickly picks up and becomes something special

Conrad T (us)

It is not dragging but can be better if the pace is faster. It is a weird kind of movie about a murderer who kills trying to preserve scent

David C (it)

Aspiring screenwriters may find much to admire and emulate in Benton's delicate, unflinching, yet broadly accessible achievement. Toward the end, Benton indulges in some overwrought courtroom theatrics ("OBJECTION!" "Overruled!"), and the resolution of the story is ultimately a bit of a cop-out, but it can be argued that these decisions also point to his wisdom as a screenwriter inasmuch as the film's message had already been conveyed and all that was left was to leave the audience as happy and entertained as they were (hopefully) enlightened. At the same time, if they are too perfectly malleable as characters they cease to be true-to-life and therefore lose their relevance as tools of social commentary; their clearly-delineated roles-a dissatisfied wife and a career-driven husband-are what determine the kinds of challenges each face, and their respective arcs remain linked to these initial identities even as they subvert their usual meanings and transcend their presumed limitations. If Hoffman's Kramer is any more or less capable a caregiver to their 7 year-old than Streep's Kramer, or if hers is any more or less driven to succeed in business than his, the balance and the film's message of equality become compromised. The equation becomes more complicated when role-reversal is involved. The movie can lean to one Kramer's perspective, alternately Hoffman's character or Streep's, but it can never consign the other to a mere antagonist role: each has to be completely sympathetic and redeemable even when they are at their lowest or potentially in the wrong. " This is a story that, to tell correctly, demands perfect balance. Kramer. Robert Benton, a man from Texas whose previous screen writing credits include "Bonnie and Clyde" (1967) and "Superman" (1978), had a very different and difficult task to achieve when he adapted the screenplay for "Kramer vs

David M (es)

The last scene was a set up for a sequel that could have ended differently instead of the circular you wronged my family bullshit. The big twist was too cheesy for me and wasn't accomplished with the emotion it needed to connect to the audience. The best part of the film was plot turning punch in the face to the villain. The leader of the old school was dry and stiff overall. The lead actor didn't have much charisma as a modern gangster. It was a decent film but it was disjointed and lacked detail

Dimetre A (fr)

In the hands of a better director, this could have been something. Unfortunately every actor in this movie has a different accent, and no attention has been paid to continuity. A story exploring Adolf Hitler's artistic pursuits before he founded the Naxi party is an interesting and valid idea for a story

Elena K (ru)

liked a lot!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Ioana B (es)

Thank God it's not, because the simple thought of it makes me feel goosebumps. Miss Violence feels so real, like the whole thing is happening next door

Jake A (ca)

With two excellent central performances, plenty of laughs, really good action, plenty of good lines and a decent score this is a satisfying comedy despite being uneven