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Vik S (mx) wrote: Lots of twists and turns that were played out in a very clever, interesting and subtle way that keep you wanting to know what's going to happen next and how will it all conclude.
Audrey L (br) wrote: A quirky little film which I would recommend for the brilliant Brenda Blethyn!
Steve W (ca) wrote: Thirteen year old Wei becomes a substitute teacher when their school teacher goes away for a month. In order to get paid, she must have all the students that started, and not one less. Wei begins her month not being a very effective teacher, but must learn to deal with it when one of her students is sent into the city to work.It begins rather slow, but it effectively becomes a heart-warming and inspirational tale of adolescence. It is even able to throw in some themes of rural areas being disadvantaged when it comes to education.The film has some wonderful usage of photography, to show the difference between the quiet countryside versus the loud and vibrant city. It really brings the setting to life, as the journey takes place between both worlds.With a usage of non-actors, they do a fine job and elevate it entirely. A fantastic and emotional film that inspires.
Jude P (jp) wrote: So much pleasure to watch this movie and whoever said what, this is one of the best thrillers ever made.
Sam H (gb) wrote: Cool, exciting, and fun.
Charity B (it) wrote: Oldy and Goody!! Plus Sam Elliot :-)
Atlas o (gb) wrote: The extremely bad acting and atrocious makeup hurt what was otherwise a relevatory piece of filmmaking. Heres a bit of information i found on the director who's films ill be reviewing here in the coming weeks:Sergei Paradjanov was born in Tblisi, Georgia (former Soviet Union) in 1924. In 1964 he was able to direct 'Shadows of our Forgotten Ancestors'; a boldly conceived and astonishingly photographed blend of enchanting mythology, hypnotic religious iconography, and pagan magic introducing the world to a new idiosyncratic cinema talent. In 1968 he created one of many masterpieces; "Sayat Nova" which was promptly banned by Soviet authorities. It was renamed (and re-edited without his approval) and entitled "The Color of Pomegranates". For religious sympathies and lack of conformity to the strict socialist realism of the former Soviet union Paradjanov was arrested in December of 1973 and sentenced to five years imprisonment - residing in various hard-labor camps. An important group of world-famous filmmakers, artists and activists (including notables such as Federico Fellini, Tonino Guerra, Francesco Rosi, Poet Louis Aragon, Mikhail Vartanov, Giulietta Masina, Marcello Mastroianni and Bernardo Bertolucci) persistently protested Paradjanov was eventually released after 4 years. His activity remained monitored and he was limited by the Soviet authorities but 15 years after "Sayat Nova" he created "The Legend of the Suram Fortress"; a folk tale and adapted from the novella by Daniel Chongadze. Once again the cinema world was peering inside viewing vividly poetic and poignant imagery. In 1986 Parajanov made yet another multi-award winning film, Ashug-Karibi (1988), based on a tale by Mikhail Lermontov, and he dedicated the film to his friend Andrei Tarkovsky. His stay in prison had crushed his health, and he passed away in July of 1990 of cancer, leaving the world a rich and unforgettable blend of unique and meaningful cinema but his legendary films live on and his picture adorns a postage stamp in Armenia.
Jay M (mx) wrote: Farrah Fawcett's performance was simply stunning.
Melissa H (fr) wrote: A little non-PC, but fun. And oh, that Peter Lawford...
Andrea E (es) wrote: Things I never thought I'd say ... "Oliver Reed is hot."
Davey W (ag) wrote: 2 stars for being a horror movie set in Perth!
Samuel M (gb) wrote: Aunque una pelcula como la Violencia del Sexo no va a estar a la altura de los estndares de hoy da (y realmente tampoco los de la poca) por cuestiones tcnicas o artsticas, lo cierto es que su mensaje era fuerte, directo y an a da de hoy sigue resonando y teniendo importancia. Cierto es que el tratamiento es maniqueo, es decir, "quien la hace la paga" (y no me entendis mal, no hay otra forma posible de ver una violacin como mala y punto), pero tena que serlo para que tuviera resonancia.Es una pelcula que es fuerte e impactante aun a dia de hoy, no por la sangre, sino por la brutalidad con la que est perpretado el terrible abuso del que la protagonista es vctima. Pocas cintas pueden ser tan efectivas a da de hoy.Lstima que luego la segunda mitad de pelcula, con la venganza de Jennifer no sea TAN impactante como la anterior; habra sido mucho ms efectiva an (pensad en algo como I Saw the Devil, aunque hecho en la poca):Aun as, todo un clsico del gnero y una pelcula a reivindicar, aunque sea solo por el mensaje que intentaba mandar.
Emily H (us) wrote: slow, slow, slow. Good cast though
Kevin C (gb) wrote: Christmas movie with the cheese and port. This is a decent, charming RomCom when Grant and Curtis were at the height of their powers.
Dave S (mx) wrote: Stallone does with this one what he should have done with the terrible Rocky V. A perfect bookend for the series. As close to the quality of the original as he has come in the entire series. You miss some of the characters so beloved in the franchise but their absence is part of what makes this entry work so well.
Tommie G (us) wrote: A response to the Bernie Madoffs of the world, with Eddie Murphy coming out of hiding as the stereotypical thief. Ben Stiller may be the true king of film comedy
Beth A (br) wrote: This movie was completely atrocious! Incest and a poor innocent girl stuck in the middle of a nasty love triangle. I normally love Del Toro's movies but this was just awful. My favorite part of this movie was the end.